"Exploring Narrative Structures: A Comparative Study of Life of Pi, Slumdog Millionaire, and Nithilan Saminathan's Maharaja"
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This blog is part of the studio activity for the "Film Studies" course taught by Professor Dilip Barad. In this post, I'll compare the narrative structures of "Life of Pi," "Slumdog Millionaire," and Nithilan Saminathan's "Maharaja."
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Introduction:
This new edition of Film Study introduces a fresh way to explore films, focusing on the medium itself, thematic approaches, film history, and offering detailed indexes and appendices. The knowledge gained from studying films helps viewers understand and analyze all aspects of a movie, revealing hidden meanings in scenes. This task, assigned by Dr. Dilip Barad, is part of a reflective activity. In this blog, I'll explore two key areas: first, I'll analyze a film clip, and in the second part, I'll compare the narratives of three films—'Life of Pi,' 'Slumdog Millionaire,' and 'Maharaja.'
Part 1: Analysis of the Frames from the movie
Part 2 : Comparative Narrative Analysis
LIFE OF PI :
The movie doesn't follow a simple timeline. Instead, it switches between the present and the past. The story is mostly told from Pi's perspective, giving us a look at events through his eyes. However, at one point, Pi's narration is questioned, making us doubt whether his story is true. For example, in the present, Pi talks about how he survived with Richard Parker, but he begins by telling his parents' story. After about 15 minutes, the narrative shifts to his childhood, which then unfolds in order. At exactly 22 minutes and 32 seconds, the adventure story starts, with Pi, who might not be telling the whole truth, retelling his tale. The main story runs from 35 minutes and 48 seconds to 1 hour, 48 minutes, and 30 seconds. The film uses techniques like montage, zooms, and wide angles to show the past. In essence, the movie follows two timelines: Pi's life and the present, where the author asks him questions.
"Life of Pi" uses a non-linear narrative, mixing flashbacks and different viewpoints, like the real story Pi tells the officers and the imagined version he shares with the author. The movie's use of symbolism, religious themes, and philosophical questions.
SLUMDOG MILLIONAIRE :
Game Show:
Jamal’s participation in the game show forms the backbone of the story. Every question takes us back to a part of his past, adding suspense and urgency to the plot. The game show setting also critiques society by contrasting Jamal’s life of poverty with the show’s glamorous atmosphere. This contrast draws attention to issues like poverty, class differences, and the daily struggles in Mumbai’s slums.
The use of close-ups and tight framing in the game show scenes heightens the tension and highlights Jamal's facial expressions and reactions. His character drives the story, motivated not by money, but by his longing to find and reunite with his lost love, Latika.
Flashbacks:
"Slumdog Millionaire" uses a lot of flashbacks to tell its story. These flashbacks show Jamal Malik's life as a child and teenager. They give us a clear picture of how hard life was in Mumbai's poor areas, showing poverty, violence, and the struggle to survive. Each time Jamal is asked a question on the TV show "Who Wants to Be a Millionaire?", we see a flashback that explains how he knows the answer. We see Jamal and his brother Salim dealing with sad events, running from tough authorities, and finding ways to live in the slums. These scenes show how strong and clever Jamal had to be to get through his difficult life.
Police Interrogation Frame:
In "Slumdog Millionaire," the police questioning Jamal adds excitement and feels more real. After Jamal does surprisingly well on "Who Wants to Be a Millionaire?", the police arrest him, thinking he cheated. As Jamal tells the police how he knew each answer, we see flashbacks of his life. The way the police treat Jamal badly shows how unfair and violent the system can be. It also reminds us of all the hard times Jamal has been through.
The way the story is told makes it more exciting and feels more real. The police questioning Jamal helps us believe his amazing life story. It makes the hard parts of his life seem very real, which helps us understand and believe how he became successful in the end.
MAHARAJA :
Maharaja is a 2024 Tamil action thriller movie. The director, Nithilan Swaminathan, also helped write the story. In the film, a barber wants revenge after someone breaks into his home. He tells the police his "lakshmi" was taken, but doesn't explain if that's a person or a thing. The story follows his search for this mysterious "lakshmi."
The movie is known for its clever editing. It affects how viewers see and understand the scenes. The main character keeps the audience interested throughout the story. The film has a lively style of storytelling and uses interesting camera angles.
The movie covers important topics like crime, suspense, family, and feelings. It shows how deeply the main character, Maharaja (played by Vijay Sethupati), is affected by what happens. It also shows how the bad guy can control big events and steal money and jewelry.The film does a really good job of mixing past and present events in an interesting way. The way the movie is put together, especially how scenes are ordered, is very clever. This makes the timeline of important events for both the hero and the villain easy to follow and powerful for the audience.
"Maharaja" shows us that our actions have results. If you do good things, good things will happen to you. If you do bad things, bad things will happen to you. This is sometimes called "karma."The movie teaches us important lessons about life. It shows that what we do matters, and that our choices will always have effects, even if we don't see them right away.
Discuss how the narratives are constructed and the techniques used to engage the audience.
The movies "Life of Pi," "Slumdog Millionaire," and "Maharaja" tell their stories in clever ways to keep viewers interested. They use:
- Beautiful visuals
- Stories that don't always go in order
- Deep emotional parts
All these movies use flashbacks, which show things that happened in the past. This helps viewers slowly learn about the main character's life. We see past events that explain why things are happening now.This way of telling stories out of order makes the movies more interesting. Viewers have to pay attention to understand how all the pieces fit together. It's like solving a puzzle about the characters' lives.
"Life of Pi" starts in the present, but it shows parts of Pi's past too. We see:
- Pi as a child
- The ship sinking
- Pi's amazing journey at sea
Pi tells his story to a writer, and we see these past events as he talks.The movie has really beautiful special effects. It also shows some magical-looking things that seem unreal. This makes viewers feel like they're part of Pi's world.
Slumdog Millionaire" is about Jamal, who's on a game show. Each question makes him remember things from his tough childhood. This way of telling the story makes it exciting and keeps viewers interested in Jamal's life. The movie shows colorful but often rough pictures of poor areas in Mumbai, which makes the story feel more emotional.
"Maharaja" mixes old and new ideas to tell an exciting story. It shows the main character's life in a very clear way, while also having a thrilling mystery plot. This makes viewers really interested and makes them think about the story more deeply. The movie does a good job of building up its characters. It also uses ideas about virtual worlds, includes some crime story parts, and is put together in a lively way. All of this makes the movie very interesting to watch.
Narrative Approach :-
"Life of Pi" tells its story through a grown-up Pi talking to a writer. In "Slumdog Millionaire," the story is told through a game show, where each question makes the main character remember something from his past. 'Maharaja' tells its story in separate parts, focusing on big moments in the character's life.
Visual and Cinematography :-
This movie uses a storytelling style that feels real and has good conversations. It compares how humans and animals behave. The movie shows deep emotions, especially between the main character and Richard Parker, the tiger. At the end, the tiger doesn't seem to care about the main character anymore. The story also shows how eager the writer is to learn about the main character's life. Both this movie and the other one we talked about use similar ways to tell their stories. They both show things that happened in the past, mix past and present scenes, and have strong emotions. They also use other similar storytelling tricks.
"Life of Pi" uses special effects to make a magical-looking story that's still touching. "Slumdog Millionaire" shows the rough, real-life look of poor areas in Mumbai, but films it in a lively and colorful way. 'Maharaja' probably mixes exciting action scenes with the life stories of the good and bad characters.
In 'Slumdog Millionaire', the main character uses memories from his childhood to answer questions in the game show. 'Maharaja' does something similar. It shows things that happened in the past to help us understand what's happening now. In 'Maharaja', the characters want to get back at someone for something that happened long ago. In both movies, the way they show past and present events is important. These old and new parts of the story come together at the end. All these movies connect their different parts in clever ways.
Conclusion:-
These three movies tell complex stories in different ways. They're about surviving tough times, being strong, and the human spirit. "Life of Pi" is about faith and imagination. "Slumdog Millionaire" shows poor people chasing dreams and love. "Maharaja" is about getting even and making things right. All use clever ways to tell stories, like showing past events. They take viewers to new worlds and make them feel many emotions.
Reference:
Barad, Dilip. “Dilip Barad | Teacher Blog: Film Studies: An Introduction.” Dilip Barad's Blog, 12 September 2021, https://blog.dilipbarad.com/2021/09/film-studies-introduction.html.
“Frame narrative.” Oxford Reference, https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095832133. Accessed 31 July 2024.