The Birthday Party’ by Harold Pinter
This blog based on thinking activity on the topic 'The Birthday Party’ by Harold Pinter assigned by Megha ma'am. In which I'm going to discuss about film screening and some important points about comedy of menace.
Introduction:
About play:
"The Birthday Party," penned by Harold Pinter in 1957, is a darkly humorous play centering on Stanley Webber, an ordinary man residing in a coastal boarding house managed by Meg and Petey Boles. The arrival of two enigmatic strangers, Goldberg and McCann, for Stanley's birthday sets a sinister tone. Throughout the party, tension mounts, and Stanley's perception of self and reality wavers. Pinter's characteristic ambiguous style delves into themes of identity, power dynamics, and truth. While initially receiving mixed reviews, "The Birthday Party" has earned its place as a 20th-century theatrical classic.
About writer:
Harold Pinter, born in 1930 and passing away in 2008, was a celebrated figure in British theatre, known for his multifaceted roles as a playwright, screenwriter, director, and actor. His distinct writing style, marked by concise dialogue, pregnant pauses, and underlying tension, often delved into themes of power dynamics, manipulation, and the intricacies of human relationships. Renowned works such as "The Birthday Party," "The Caretaker," and "The Homecoming" exemplify his talent. Pinter garnered numerous accolades throughout his career, including the prestigious Nobel Prize in Literature in 2005, underscoring his profound impact on contemporary theatre and his enduring influence on subsequent generations of playwrights.
Pre-viewing Task :
Comedy of Menace: Whose plays are known so? Who termed it ? What are its peculiar characteristics? How is it different from Absurd Theatre ?
The term "comedy of menace" was coined by drama critic Irving Wardle in 1958, drawing from the subtitle of David Campton's play "The Lunatic View: A Comedy of Menace." Wardle applied this term when reviewing the works of Campton and Harold Pinter in Encore magazine.
Difference between Absurd Theatre and Comedy of Menace :
- Comedy of Menace illustrates realistic scenarios, often mirroring everyday life, while Absurd Theatre incorporates surreal and symbolic elements, exploring the strange aspects of human existence.
- In Comedy of Menace, tension and threat within ordinary situations highlight power dynamics, whereas Absurd Theatre delves into life's inherent meaninglessness and absurdity.
- In Comedy of Menace, tension and threat within ordinary situations highlight power dynamics, whereas Absurd Theatre delves into life's inherent meaninglessness and absurdity. Harold Pinter's Comedy of Menace, known for his "Pinteresque" dialogue style featuring pauses and silences, effectively conveys meaning, while Absurd Theatre often showcases unconventional language usage and communication breakdowns.
Explain ‘Pinteresque’ – Pinter pause and use of ‘Silence’ in the play: a particular atmosphere and environment in drama.
In Harold Pinter's plays, silence and pauses are central, often overshadowing the importance of words. Instead of conveying ideas, words act as barriers, while silence and pause reveal characters' true intentions. Pinter employs these pauses to mimic real conversations, aiming to evoke discomfort in the audience similar to that felt by the characters.
These pauses illustrate life's ambiguity and confusion, mirroring the natural flow of speech with its unresolved thoughts. Unlike traditional plays with clear narrators, Pinter's works omit such conventions, presenting life without definitive explanations, reflecting the uncertainties of reality.
His style aligns with the postmodern movement, challenging the reliability of language and the notion of absolute truth, prompting audiences to reconsider their preconceptions. Pinter's use of silence and pauses disrupts theatrical norms, urging viewers to actively engage with the narrative and ponder its deeper implications.
The Birthday Party’ – an allegory of ‘artist in exile and other interpretations.
"The Birthday Party" can be interpreted as a narrative exploring the struggles of artists in unfamiliar environments, facing displacement and a lack of belonging. The arrival of Goldberg and McCann disrupts their creative sanctuary, symbolizing external forces intruding upon their autonomy. Additionally, the play can be viewed as an allegory for political dynamics, with Stanley representing individuals resisting oppressive authority. Overall, the play covertly comments on power struggles and the fight for autonomy amidst oppressive forces.
‘The Birthday Party’ as a Political Play with reference to Harold Pinter’s Noble Speech: ‘Art, Truth & Politics.
"The real truth is that there never is any such thing as one truth to be found in
Dramatic art. There are many. These truths challenge each other, recoil from
each other, reflect each other, ignore each other, tease each other, are blind to
each other. Sometimes you feel you have the truth of a moment in your hand,
then it slips through your fingers and is lost."
Harold Pinter 's view on World war 2 :
Low-intensity conflict is a method of inflicting harm gradually, akin to a malignant growth that slowly erodes a nation's foundations, rather than resorting to sudden, dramatic acts like bombings. It leads to a progressive deterioration of society, often resulting in control or suffering for the population. Despite the damage caused, those in power may falsely claim victory for democracy. In his speech, Harold Pinter highlighted the grim realities of American Foreign Policy, which incline towards dictatorship and have led to the interrogation, suspicion, and murder of countless individuals. Goldberg and McCann serve as symbols of America, while Stanley embodies the plight of ordinary people victimized by such policies.
While-viewing Task :
Pinter gives us the texture-the sounds and sights of a world without structure, which is the heart and soul of the play also.
In "The Birthday Party," Harold Pinter masterfully creates an environment devoid of definite structure, employing auditory, visual, and dialogic elements to instill tension and ambiguity. The ambiance of the play is meticulously designed to provoke a sensation of instability. Although the car sequence begins innocuously, with a leisurely drive through a coastal town, it swiftly descends into unease. Instead of focusing on the car's destination, the narrative shifts to shots of its past locations, coupled with peculiar reflections and jarring, disconcerting sounds. These techniques collectively foster a sense of disorientation and deviate from conventional storytelling norms.
Pinter employs a range of dramatic techniques to create a textured effect in his work. For instance, he employs a close-up of Stanley's weathered face mirrored in the grimy kitchen sink, with the filth, soiled soap, and cookware portrayed as distinct, ominous entities, heightened by the cacophony in the background. This approach fosters a feeling of disquietude and enriches the play's ambiance, amplifying its overall resonance with the audience.
1.Silences and Pauses
2. Repetition and Rituals
3. Ambiguous Dialogue
How many times the ‘knocking at the door’ happens in the play? Is it creating menacing effect while viewing the movie?
In the play "The Birthday Party," the door gets knocked many times. This repeated knocking makes the movie feel scary and tense. The constant knocks create a mysterious and threatening vibe, making the us uneasy.
Comment upon the use of things like mirror, toy drum, newspapers, breakfast, chairs, window-hatch etc. in the movie. What sort of symbolic reading can you give to these objects?
Toy drum :The toy drum could represent disruption or chaos. Its recurring presence may symbolize the intrusion of external forces, adding to the overall tension in the narrative.
Blind Man's Buff Game : This game symbolizes the loss of visions among them. Stanley loose his balance showcasing the power of authority on him. The objects coming as hurdles in the path of the game with close-up scene also reveling the real-life hurdles.
Newspapers: Newspapers often symbolize information and manipulation of truth. In the context of the movie, they could represent the control of information by those in power, contributing to the play's themes of authority and suppression.
Mirror: The mirror may symbolize self-reflection or distorted perceptions, highlighting the characters' internal struggles and the blurred line between reality and illusion.
How effective are scenes like ‘Interrogation scene’ (Act 1), ‘Birthday Party scene’ (Act 2) and ‘Faltering Goldberg & Petey’s timid resistance scene’ (Act 3) captured in the movie?
Interrogation Scene (Act 1): This scene effectively depicts the characters' struggles and the prevailing atmosphere of menace. As the characters undergo questioning, the tension steadily mounts, creating a profound emotional impact on the audience.
Birthday Party Scene (Act 2): The Birthday Party scene vividly portrays the intrusion of external forces and the ensuing disruption in the characters' lives. Serving as a pivotal moment, its effectiveness lies in its ability to convey the unsettling nature of the unfolding events.
Faltering Goldberg & Petey’s Timid Resistance Scene (Act 3): This scene skillfully illustrates the characters' attempts to resist oppressive forces, despite their faltering resolve. The nuanced portrayal of resistance adds depth to the intricate power dynamics at play, leaving a lasting impression on the audience.
Post-viewing Task :
Why are two scenes of Lulu omitted from the movie ?
The article highlights how the film adaptation of Pinter's "The Birthday Party" effectively employed camera techniques to evoke a sense of fear and menace. From the outset, the use of sound and setting contributed to an ominous atmosphere. Particularly, Stanley's introduction and the interrogation scene were notably chilling, employing close-up shots and high angles to heighten the intensity. It's possible that these scenes were omitted precisely because of their effectiveness in instilling fear in viewers.
What do you read in 'newspaper' in the movie? Petey is reading newspaper to Meg, it torn into pieces by McCain, pieces are hidden by Petey in last scene.
In the film adaptation of "The Birthday Party," the significance of the newspaper extends beyond being a mere prop; it carries deeper connotations. Initially, as Petey reads it to Meg, it appears as an ordinary aspect of their routine. However, when McCain tears it apart, it symbolizes a greater disruption. This tearing could signify manipulation or censorship of information by obscure powers, implying the existence of secrets or concealed truths. Petey's act of concealing the torn pieces at the conclusion further enhances the aura of mystery, suggesting deliberate efforts to keep certain truths obscured or suppressed.
Camera is positioned over the head of McCain when he is playing Blind Man's Buff and is positioned at the top with a view of room like a cage (trap) when Stanley is playing it. What interpretations can you give to these positioning of camera?
In the movie, when McCain plays Blind Man's Buff, the camera above his head might show that he's in charge, like he's dominating the game. It puts focus on his viewpoint and power. But when Stanley plays, the camera showing a top view of the room makes it look like he's trapped or confined, like he's stuck in a cage. This adds tension and shows that Stanley is being controlled or limited somehow during the game.
Do you see any similarities among Kafka's Joseph K. (in 'The Trial'), Orwell's Winston Smith (in 'Nineteen Eighty-Four') and Pinter's Victor (in 'One for the Road')?
In "The Trial," "Nineteen Eighty-Four," and "One for the Road," characters like Joseph K., Winston Smith, and Victor face similar struggles in oppressive societies. They feel stuck and weak, controlled by powerful governments. They're under constant surveillance, unable to act freely. They feel alone and cut off from others. Even though they try to fight back, it's really tough. They stand for anyone battling against unjust systems.
Thank you...